
.
Uncle
.
Arms tired, hands
like useless crane shovels
legs strong but stiff as
tree trunks. Your shoulders
.
have held others up, as
the cane you’d just as soon leave
at the Elks’ hall after bingo
supports you now.
.
Now you sit fiddling with
glasses three years too old,
eyes awash, blinking, reading about a man
who you voted for but wouldn’t now.
.
Now a car passes, its music thump-
ing like the metal press at the foundry where
you gave your best years,
your best blood.
.
Blood in your hanky, your
coughing, your dreams. You
tell no one. It is your job now to hide
such things, to protect
.
your family, your friends, the
few who are still here, who
still might worry, might wonder.
Tired, how tired too soon.
.
Too soon to go to bed, Jeopardy
isn’t half-over yet, and your son might
yet call. But you start to doze after the first
lightning round, the first can, the first
.
star appears low on the horizon.
Cloudy later on, a drizzle falls,
your son doesn’t call. You wake, neck
sore, chest heavy. Sluggish, down
.
the hall you get into bed, then lie
there, staring into the dark, sounds
of the bingo games and metal press
ringing through your head.
.

Michael A. Griffith began writing poetry as he recovered from a disability-causing injury. His poems, essays, and articles have appeared in many print and online publications and anthologies. He resides and teaches near Princeton, NJ.
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I can so easily relate to nodding off during Jeopardy,although with me it’s during Family Feud. I also know what it’s like to be waitinf for a call from my son.Nicely done sir.
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