By g emil reutter
We are introduced to Big Headed Anna at birth. Her child mother, boy bodied suffers in child birth. Her baby’s head so big that Anna’s feet were roped to free her from the womb, upon looking at her the young mother fled. Anna took to a cow when left for dead, survived to go on. Or so it is imagined by Anna.
Dickinson has crafted a series of flash fictions that chart the adventures of Big Headed Anna through time and space, of viewing the living and dead, of the life of an outcast from birth who encounters a wide array of characters. Imagined or real? For many who take the time to read this vivid collection, who have suffered from the cruelty of human kind there will be no doubt that the life of Anna could be real. Dickinson’s use of flash fiction to tell the story is simply brilliant as are the images and metaphor that populate this collection.
From Big-Headed Anna Believes Herself as a Strange, Beautiful Name:
“I am eleven years old today and hungry since I ran away from the other place. If I cut my eyelashes there would be no feeling. I would have to move my ear lobe between the grist’s flint or the tip of my nose to understand about touch. To show you how orchids thrive in snow and spongy soil, an earthworm loses its head and grows another. Tallow, bone flesh. My neck thinks of me as its lily. Wandering toward the French Quarter under talon of moon, I sing in a beautiful whisper. Hush little brittlestar who lives underewater. My big head hides under my bigger hat. I shiver listening to the river, the cotton barges.”
Big Headed Anna suffers the indignity and violence of rape, unable to see her attacker, a bag covering her head. And when she gives birth, her child stolen from her, carried away her only comfort is knowing the child has a normal head. Many of the flash describe her efforts to find her child.
From Big Headed Anna Listens to the Last Sound in the Grass:
“I am braised with malaria and yellow fever, and I sink deeper into the bittersweet. I am haul and lumber. An unmarked grave on Rampart Street where traveling workers make prayers has seen my child alive. A raven brings them bread and flesh. The lost Creole spirits sheltering them on houseboats tell me to lift the tablecloth where oysters are set down with comets.”
Dickenson has weaved these stories together as a master quilter, each strand interwoven, each resulting image full of color and metaphor. The stories take place between 1900 and 1933, a harsh time in America, a harsh time for those who appear a bit different from the majority, a harsh time for the poor during a time of exurbanite wealth and decline. Although dream like in its presentation the supporting characters are developed with words and images reflecting a beauty and realism to this work. Yet like a master quilter, Dickinson has created a body of work in this collection always with an underlying love for its central character.
You can find Big Headed Anna Imagines Herself here: https://www.amazon.com/Big-Headed-Imagines-Herself-Stephanie-Dickinson/dp/108723655X/ref=sr_1_1?qid=1572125064&refinements=p_27%3AStephanie+E+Dickinson&s=books&sr=1-1&text=Stephanie+E+Dickinson
g emil reutter can be found here: https://gereutter.wordpress.com/about/