rain mountain press

Weather by Kelly Cherry

weather

By g emil reutter

Cherry is a narrative poet in this slim collection of poems. Within its pages she captures turbulence, calm, defines the seasons. Cherry captures the wind in the poem, Birds on the Patio Feeders, No. 1:

The big wind scours the sky as if the sky is a giant kitchen sink/ Trees bend, hanging their heads, sorrowful/ Such drama. Yet we are captivated to see.

Yet the collection is just not about weather, it is about much more such as these lines from the poem, This Should be Winter, reflecting what the future may hold:

Thrity or forty years from now, we may be heading north in search of water, in search of air that can be breathed, in search of food that’s not been wrecked before it’s harvested.

Cherry captures the essence of a storm in both its quietness and violence in the poem, Rain:

.

It falls. Sometimes quietly, sometime loudly
as bullets hitting targets, or soldiers in war

.

A sprinkle doesn’t even seem like rain.
It does an almost silent dance, then stops.

.

demure as a virgin. The breaking thunderstorm
rails at everyone, but the daylong soak

.

that rescues trees, flowers, and failing farms
sings a song both simple and everlasting.

.

In the poem, The Start of Spring, she writes of the young in comparison to the old:

Spring is for the young, and the young/ put smiles on the old. Maybe rueful smiles. maybe sagacious smiles, maybe fond smiles/ as the old remember their checkered youth…The young are always foolish/ the old, always reminiscent.

She writes of a beach party and the aftermath in the poem, The Fourth of July:

…men and woman burn logs on a beach and hope to get lucky/ Sex is such a driving force, and then?/ Its not. It leaves us high and dry/ as if our bodies were nothing but old clothes/ hanging on a weathered, worn-out laundry line. 

The poet writes of an elderly woman who keeps bits of the season in Autumn LeavesThe deaths of the living, even leaves/ sadden an elderly woman once a child/ dragging her feet through fallen leaves or pressing/ the pretty leaves into a scrapbook.

Cherry is a forecaster as she writes in the poem, Mayday:

It strikes terror in our hearts/ like a fire alarm…Is it the end of our world?/ Of course it is. Earth’s dying./ Our world is ill, regurgitating/ its insides.  

Weather by Kelly Cherry is not for those who enjoy the disconnect. This collection of narrative poems connects with the reader through plain speaking combined with excellent imagery. Cherry writes of the seasons but also utilizes weather as a metaphor for lives lived and more directly the condition of the earth.

You can buy the book here: https://www.spdbooks.org/Products/9780998187204/weather.aspx

.

g emil reutter is a writer of stories and poems:

https://gereutter.wordpress.com/about/

Advertisements

Monte Carlo Days & Nights by Susan Tepper

SRP.MCD.cover.qxp

.

By Lynette G. Esposito

.

Monte Carlo Days & Nights by Susan Tepper is a book filled with delightful short and short short stories that both entertain and amuse.

Published in soft cover by Rain Mountain Press, the stories take the reader on journeys that encompass the contemporary experience.  Of the twenty-two stories, my favorite is Adjacent toCentral Park.  Tepper sets the situation of two lovers in an upscale hotel room and all is seemingly going well as the reader sees the scene from the female narrator’s point of view.  Then—all is not going so well from the physical standpoint. How can one have sex at the Ritz Carlton in New York City and not be able to take a hot shower afterwards?  The man at the front desk claims there is a water main break so there is no water at all in the hotel  A freebie is offered for next time.  For this time, our narrator and her companion send out for baby wipes just as if they were ordering pizza to be delivered.  She claims she has used them successfully on a plane in flight. The language and circumstance of the characters is realistic and believable. While the situation is farcical, the depiction of modern life is serious.

My second favorite of the stories is Monte.  It is simple, short, direct, and yet reveals the different ways men and women approach each other.  This story is more of a vignette rather than the beginning, middle, end structure of a fictional short story.  As a slice of life amidst the other stories, it works well in revealing two characters circling each other n a relationship. The suggestive images of the hotel, the swimsuit, the hunger work both literally and figuratively. Do women consider going topless…yes but no.  The reader is in the female narrator’s head.

The final story in the book, Dinner, brings closure to the days and nights depicted throughout the sequence of encounters.  Our narrator, wearing a red spandex dress and no pantyhose, looks so “hot” her lover proposes marriage if he were the marrying kind.  How sweet, how ironic how no discussion of love or respect– just almost cold analysis with lust as the common denominator.  Trepper has a light touch on a subject where so many others write a long agonizing soliloquy on the “he loves me, he loves me not” boy meets girl storyline.

The 74 page book is an easy read sharing a contemporized voice with modern perceptions and situations.

The author, Susan Tepper, has been a marketing manager, a flight attendant, an interior decorator, and an award-winning author.  To find out more about her go to:

wwwsusantepper.com 

.

You can find the book here: Monte Carlo Days Nights

.

Lynette G. Esposito has been an Adjunct Professor at Rowan University,  Burlington County and Camden County Colleges. She has taught creative writing and conducted workshops in New Jersey and Pennsylvania.  Mrs. Esposito holds a BA in English from the University of Illinois and an MA in Creative Writing and English Literature from Rutgers University.

.

The Conduit and other Visionary Tales of Morphing Whimsy by Richard Gessner

Gessner
.
By g emil reutter
.
Welcome to the strange world of Richard Gessner where words and images matter. Gessner provides the reader with fresh images, use of words and stories that may or may not be about what they appear to be. Surreal? Maybe. Or they may just be reality in disguise. 
 
The Zoo-Bray is located in the basement of a library. Those kept in the basement, (dark?), are writers of every kind. Parking-ticket scribblers face classical versifiers—Subpoena makers face street poets to produce spontaneous legal writs–… The forgotten face the immortal–. All of them are kept under the watchful eye of the zoo-breeder who wanders through the maze of hallways listening to the congress of burgeoning tete-a-tetes caught up in an infectious meld of snowballing ideas. He tells us at the center is an incubator where the pairs of the most promising writers chosen by the zoo-breeder are placed to mate and give birth. Gessner tells us the zoo-breeder decides what books make it to the upper shelves and what ones do not. Now the story could be viewed a surreal or a thinly masked critique of cookie cutter MFA programs.
 
Gessner gives us a wide ranging group of stories such as Excerpts From the Diary of a Neanderthal Dilettante. The Conduit a tale of a man stabbed in the heart seeking refuge in a pipe:
Moving down the windy concrete tunnel, listening for his arteries drain, he leaves a red carpet for the assailant’s knife. Millennial scorpion stinging itself drowning in cesspools of regeneration. Hug, wide, longer than all seeing memory. The pipe sparkles with light, twinkling with blood hitting the cold air. The strangeness of the travel of the man in the pipe with dance callers, ancestors, wedding rings looping, ego dust and random chaos. Weird images carefully crafted by a writer who has earned his chops. 
 
    He gives us hermits, a unicyclist, arbitrators, a man in a couch and so much more wrapped in unnatural situations. Gessner looks at the world through distorted glasses and yet as the reader moves through this work all comes into view. Such as in this flash fiction piece, The Pelican’s Tonsils: 
.
    A psychiatrist stands in the ocean, wearing his patient’s galoshes, waiting for barnacles to adhere to them.
    His framed doctor’s degree has escaped from his office wall and taken up residence inside the pouch of a pelican sitting on a far off rock jutting from the ocean.
    In the stark wetness of the pouch, the lettering from the degree wears off getting stuck to the pelican’s tonsils. When the pelican dives for fish its tonsils wiggle, rearranging the lettering from the doctors degree.
    In order to restore his official identity and career, the psychiatrist affects a man of action stance, preparing to swim out into the ocean and give the pelican a tonsillectomy—but the barnacles clustering on his patient’s galoshes keep him anchored to the shore as he attempts to swim—the crustaceous ball and chain keeping him forever split!
.
Gessner is a master of imagery, metaphor, of the unnatural setting and has produced a fantastic collection of bizarre stories that are equally disturbing and fantastic.
.
.
g emil reutter is a writer of poems and stories. You can find him here:About g emil reutter
.
.
.

The Absent

absent

.

Review by g emil reutter

 

Rosalind Palermo Stevenson’s, The Absent, brings the reader on a forty nine year journey of the life of William Wright Martin. Stevenson’s research is outstanding as the book begins and ends in Philadelphia during the late 1800s with stops in the Wild West and Southwest territories of the United States. Martin and his wife Lucie are photographers, have their own studio yet live with his mother and aunt. Lucie and William are obsessed with the art. Lucie with portraits and what the images she creates reveal about people, he with structures and space.

…what silence speaks of…there is that apt gesture of silence, the hand closed in a gentle fist, the index finger raised and placed over the lips. It’s silly to stand there, the voice says, when you can lie down and rest. Yes rest. Enough time has passed—too many days. How many. Do you remember? You look worn. You look tired. It’s time. You agree that it’s time don’t you? 

As a child, William Martin and his mother are taken west from Philadelphia by his father. There at a young age he is being taught to be man by his rough and tough father although the mother is always protective. His father hears danger and throws the boy into the bushes where Martin witnesses the brutal slaying of his father by a gang of men. His mother brings him home to Philadelphia and his life begins again. He matures into a man who lives two lives, one in the reality of who he is and the other dominated by hauntings of what he has seen. Sleep evades him although he and Lucie are close in their marriage there are somethings, as the author says, you don’t share. They work in a studio where Lucie spends most of her time as he walks and photographs Philadelphia. They spend the off time at their mother’s house where Aunt Lavina also lives. Spiritualism and bird watching dominate the house. Suddenly his marriage is broke asunder, he is at a loss for Lucie is gone. He is there but is not. A haunted man, Martin makes seamless transitions from his real life to his dream state while awake or asleep. Martin is a man of tragedy who listens to the voices that haunt him.

Stevenson has a unique ability to develop the supporting cast in this work. The ever present mother and aunt, The Fell family who work at the studio and the interactions the complex Martin has with others in Philadelphia. During his mourning for the broken marriage he travels to the Mid-West on a photographic journey to the place his father was murdered. Stevenson provides a wide cast of supporting characters both in his journey to the Mid-West and again when he is surveying the Southwest. Native Americans, cowboys, hunters even a hermaphrodite who Martin oddly bonds with. New hauntings come to him, yet when he is returning to Philadelphia from his first trip to the Mid-West he meets Dr. Stiles and his daughter Angeline at the depot. The three travel to Philadelphia on the train as the civil war breaks out. Fell continues to manage the studio and over time his daughter Lucie is assisting him. A courtship begins between Angeline and William and they soon marry and live with Dr. Stiles. The couple remain childless and the ever patient Angeline lives with his love of the ever present first wife, Lucie, in his mind. She accepts his long term physical absence from her during his trips and walks about the city, although they as a couple also walk and go on carriage rides. There is a closeness between the two that is as bonding as is the absence.

You look worn. You look tired. It’s time. You agree that it’s time don’t you? 

Martin is a photographer of the era, always aware of the light and shadows. In The Absent, Stevenson has provided the reader with images of lights and shadows, of loss and love, of violence and peace. Of the complex nature of the mind and relationships. All of the characters come to life from the page in vivid detail in the haunted mind and life of William Wright Martin.

You can find the book here: http://rainmountainpress.com/books41.html

g emil reutter is a writer of poems and stories. You can find him here:About g emil reutter

 

 

The King of White Collar Boxing

the-king

Review by Thaddeus Rutkowski

.

A friend of mine took me to see the only boxing event I’ve ever been to. This friend was a large man, a mixture of black and Asian, and he was a tough guy. He told me he was once attacked by a man with a knife, and to protect himself he simply took the knife away.
.
He and I had seats close to the ring in Madison Square Garden’s Felt Forum, where we could see everything—including flying sweat and spit—clearly. But what was appealing was not the boxers’ punches or footwork, it was the sight of blood. Whenever a gash would open on a boxer’s face or blood would drip from a nose, a roar would go up from the audience. The only thing better than blood was a knockout blow—a quick, final stun.
.
Imagine being in the ring, trading punches, hitting and getting hit. That’s where David Lawrence takes us in this memoir, with vivid descriptions of breaking an opponent’s ribs or, conversely, being knocked senseless. Throughout much of the book, Lawrence lives the lifestyle of a “white-collar boxer”—a professional who trains, spars and occasionally fights in scheduled matches. Most mornings, Lawrence (an insurance-company owner) is driven in his Rolls-Royce to a Brooklyn boxing gym, where he can get some action before starting the day in his Manhattan office. The Rolls, the associated wealth, and an exhibitionistic personality bring Lawrence media coverage. He becomes a niche celebrity, featured in society and fitness magazines, as well as on television. He craves the attention and continues to fight, even though he “turns pro” at a relatively late age, in his mid-40s.
 .
Here is his description of one of his fights, against one-time welterweight champion Buddy McGirt: “Midway through the (third and last) round he caught me with a pretty good hook to the head. It was just a short tight little punch, but I saw stars for a moment. I shook my head and smiled, just to let him know I was a little shaken and I’d appreciate it if he didn’t take my head off. The bell rang and we tapped gloves. I didn’t want it to end. Yet I couldn’t wait to get into the office and tell everyone I had just fought a world-class fighter.”
.
This description contains more than a touch of humor and displays Lawrence’s writerly skills. He holds a Ph.D. in English literature from City University of New York, has taught at Hunter College, and is a published poet, with a collection out from Four Way Books.
.
On another occasion, Lawrence is invited to the “celebrity fights,” held in Donald Trump’s casino in Atlantic City. Former heavyweight champion Larry Holmes is Lawrence’s dressing-room mate, and Trump himself drops by to say hello to Holmes. Lawrence describes Trump as follows: “He was a chubby, arrogant man with hair that lay over his head like a gull’s wing. … He gave me a nod as if to say I didn’t exist. He was the supreme egotist. Worse than me. I’d seen him speak at an insurance engagement. Mindless. He had some sort of idiot savant talent for building.”
.
This description is prescient, written several years before Trump’s presidential candidacy. It can be taken as an exaggeration or a joke, but Lawrence has a gift for stating truths through hyperbole.
.
A couple of sub-storylines run through the memoir. One concerns a federal investigation of Lawrence’s insurance company—the crime is money laundering, and the feds have a strong case. Another subplot involves Lawrence’s relationship with his wife and son. It’s not easy being a family man, a successful business owner and an obsessive boxer, and something has to give. (What suffers is not the boxing.)
.
Still, what comes across most strongly is the deep psychology of the sport (or martial art) of boxing. Once addicted, the boxer never really loses the craving or love for the activity. He can never get enough. He just gets a little older, maybe a little slower. Throughout the journey, I’m glad to say, he stays feisty as ever.
 .
.
.

Thaddeus Rutkowski is the author of the books Violent Outbursts, Haywire, Tetched and Roughhouse. He received a fiction writing fellowship from the New York Foundation for the Arts. http://thaddeusrutkowski.com/

 

.

Diary of Tadpole the Dirtbag

Layout 1
Rain Mountain Press – July 2016
2nd Edition
 .
Review by g emil reutter
 .
Rob Cook lives in a world entirely his own. It is a world of light and dark, of sadness and humor but isn’t that the way it is for all people? Unlike others Cook travels to the edges of life and dips his toe if not his entire foot into the other side.
 .
There are letters in this collection like the poets James Wright and Richard Hugo included in some of their collections only in Cook’s collection the letters are written from Tadpole to himself, after all it is a diary… of sorts. The poems are harsh realism at its best but surprisingly in the midst of it all, a gentle sweetness and outstanding images brim forth.
 .
In the poem, Football Field Jan, about a chat line hook up that goes badly when of course the woman does not have the features she told him on the telephone that he documents in great detail comes this line. … her body seemed like the outcome of four decades/ of weeping and not throwing away the tears. The poem, The Night that Almost Lost its Eyes of another encounter he did not follow through on he gives us, We don’t believe in lights, she said. Everything is so much more honest in the dark.
 .
From the poem Ed Glory:
 .
Last night I tried to correct
Myself in the mirror
I’m looking more like a spoon every day.
 .
I have stones falling through me
until they feel like gowns
easing from my bones.
 .
From the poem In the In Wasted North of Twenty One:
 .
I want this thing
.
to disappear, she said, and added
talking to you I feel like
 .
I’ve already disappeared
I didn’t know if we were
 .
making a family
to hide, but while
 .
the clock held us together
with its claws
 .
and giant stones and glaciers
moved
 .
across the sky toward
Pennsylvania.
 .
In Diary of Tadpole the Dirtbag, Rob Cooks once again reveals a voice that is uniquely his own.
 .
 .
g emil reutter is a writer of poems and stories. You can find him here: https://gereutter.wordpress.com/about/

Mosquito Operas by Philip Dacey

Stephanie Dickinson advised us that the Poet Philip Dacey passed away on July 7th. You can learn more about the poet by visiting his website http://philipdacey.com/ In his memory we are posting 3 reviews of his books first published at The Fox Chase Review.

mosquito

 

Review by Diane Sahms-Guarnieri 

Mosquito Operas by Philip Dacey is like riding a carousel – each poem either a stationary object or a horse that goes up and down while circling to the notes that make up the music, if you are listening.  Sometimes the carousel is roofless and you are looking up spinning through time, as one of the eight planets circling the sun.  Sorry Pluto!

Dacey’s  ideas are always moving, always circling, always spinning around you.  Starting with poems of one to three lines, he builds to long sequences by the last pages.

As for humor there are many instances of irony, starting with an eight word poem with a six word title: HOW I ESCAPED THE LABYRINTH – It was easy./ I kept losing my way.  to BUMPER STICKER HAIKUS – #5 – An unendangered/ species. The red-tailed/lane-switcher to many others of varying lengths.

As for a meditational poem, NOTES OF AN ANCIENT CHINESE POET (1 – 10), with # 6 as: Listen to the voice/of each dead poet as if/it were yours/It is.  Some others include – MEMORIZING POEMS and INSOMNIA, but these include Dacey’s sprinklings of wit mixing through the batter of thought.

As for common life experiences there are poems where Dacey is a keen observer of his mother hanging laundry, a son watching his father get a haircut and a son bowling.  These poems will give the reader a chuckle, but  a beautifully written poem, NEEDLE AND THREAD, has many fresh metaphorical images throughout it, especially stanza three: It’s the pleasure/of biting off the thread,/an animal with/an umbilical cord.

As for tribute poems, there’s one to Hart Crane,  mothers, a skinny man pumping iron, three prostitutes in East St. Louis, Illinois, but perhaps the most compelling one is his last poem in this collection, entitled ANGLES, describing  the Vietnam Veteran’s Memorial, Washington, D.C.. Each stanza of the 14 stanzas can be read and pondered alone or woven into and out of the other stanzas.  This is the most powerful poem in Dacey’s collection.

He’ll take you from one mosquito chapter to five, all of them biting your skin, leaving their marks on you, but not before buzzing by your ear and if you’re really listening – you’ll hear anything from one quick note to an operatic score.

You can purchase Mosquito Operas at this link:http://rainmountainpress.com/books14.html

Diane Sahms-Guarnieri, a native Philadelphian, is the author of three full-length poetry collections.More about Diane can be found athttp://www.dianesahms-guarnieri.com/ &https://dianesahmsguarnieri.wordpress.com/