rain mountain press

Most Read Reviews @ North of Oxford 2022

Just in time for holiday shopping! Most read reviews as determined by the readership of North of Oxford

Casualty Reports by Martha Collins

https://northofoxford.wordpress.com/2022/10/01/casualty-reports-by-martha-collins/

All the Songs We Sing – Edited by Lenard D. Moore

https://northofoxford.wordpress.com/2022/04/01/all-the-songs-we-sing-edited-by-lenard-d-moore/

A Poetics of the Press: Interviews with Poets, Printers, & Publishers edited by Kyle Schlesinger

https://northofoxford.wordpress.com/2022/05/01/a-poetics-of-the-press-interviews-with-poets-printers-publishers-edited-by-kyle-schlesinger/

Smoking the Bible by Chris Abani

https://northofoxford.wordpress.com/2022/04/01/smoking-the-bible-by-chris-abani/

Contra natura by Rodolfo Hinostroza Translated by Anthony Seidman

https://northofoxford.wordpress.com/2022/02/01/contra-natura-by-rodolfo-hinostroza-translated-by-anthony-seidman/

The Flash Fiction of Lydia Davis

https://northofoxford.wordpress.com/2022/03/01/the-flash-fiction-of-lydia-davis/

The Upright Dog by Carl Fuerst

https://northofoxford.wordpress.com/2022/06/01/the-upright-dog-by-carl-fuerst/

Punks: New & Selected Poems by John Keene

https://northofoxford.wordpress.com/2022/03/01/punks-new-selected-poems-by-john-keene/

The World’s Lightest Motorcycle by Yi Won, Translated from Korean by E. J. Koh and Marci Calabretta Cancio-Bello

https://northofoxford.wordpress.com/2022/02/01/the-worlds-lightest-motorcycle-by-yi-won-translated-from-korean-by-e-j-koh-and-marci-calabretta-cancio-bello/

getting away with everything by Vincent Cellucci and Christopher Shipman

https://northofoxford.wordpress.com/2022/03/01/getting-away-with-everything-by-vincent-cellucci-and-christopher-shipman/

Along the Way by Scott Pariseau

https://northofoxford.wordpress.com/2022/11/01/along-the-way-by-scott-pariseau/

A Feeling Called Heaven by Joey Yearous-Algozin

https://northofoxford.wordpress.com/2022/01/01/a-feeling-called-heaven-by-joey-yearous-algozin/

Poolside at the Dearborn Inn by Cal Freeman

https://northofoxford.wordpress.com/2022/10/01/poolside-at-the-dearborn-inn-by-cal-freeman/

Your Nostalgia Is Killing Me by John Weir

https://northofoxford.wordpress.com/2022/05/01/your-nostalgia-is-killing-me-by-john-weir/

The Bar at Twilight by Frederic Tuten

https://northofoxford.wordpress.com/2022/11/01/the-bar-at-twilight-by-frederic-tuten/

Along the Way by Scott Pariseau

By John Zheng

Scott Pariseau’s Along the Way is his first collection of poems and prose in variant forms, including epitaph, haiku, tanka-like poems, sonnet, free verse, and four prose pieces. As he says in the preface, the poet arranges the collection nearly chronologically and leads us along the way to different places—lived and traveled by the author—to experience his nostalgia, sadness, and sense of beauty found in ordinary life.

One characteristic of Pariseau’s poetry is the use of different poetic forms. “Fall Migration,” which serves as the prelude, is arranged in four stanzas, each composed of two couplets. It also gives attention to alliteration and assonance, as shown in “I long that I might leave the ground / to fly with geese by time unbound.” Another good example of alliteration is in “Sprays of snow stuck / to my moist, scarved mouth” (“Night Walk, Winter”). Pariseau writes sonnets too. “First Crush” is a love sonnet in two stanzas. While the scheme is Petrarchan (composed of an octave and a sestet), the rhyme pattern is mainly Shakespearean. Yet, while the octave follows the Shakespearean rhyme pattern closely (ABABCDCD), the sestet veers to some degree away from the Shakespearean rhyme. Instead of using the EFEFGG rhyme, Pariseau has three couplets in the sestet rhymed as EEFFGG.

Another characteristic of Along the Way is the use of imagery coming from his personal experience. For example, “In Autumn Light” relates the crows to the black soil:

Crows

fly slow,

like black soil

rolling

off plows.

As one who was once a farmhand, this reviewer appreciates the poet’s accurate comparison made from his farming experience. Another interesting image, a spoked wheel in “In Rotation,” creates a vivid auditory and visual view of the lovely puppies:

Six puppies

slurping water

from a bowl—

like a spoked wheel

rotation slowly

clockwise

as they drink.

Pariseau is a keen observer who finds something memorable or beautiful in the ordinary. In “Still Life,” an eight-line poem, he sees and smells “the moist scent / of cut roses in a bowl” which “permeates everything” that is not pleasant to the senses: the scorching heat of an afternoon, the thin air in a dusty room, the drawn blinds, and the dim, yellow light.

Moreover, memory brings out a sense of place loved by people, as presented in “Night in Harkey Valley, Arkansas”:

This family, spread by miles,

is together again, talking late

at the table. Love stirs,

grows in the eyes

of three generations.

Ancestors are named—

they are present, waiting;

their bones slide easily

into fresh young cousins.

This poem presents a common but cozy scene of a family time filled with love and harmony. Their good relationship and communication are reflected not only through their talk but in their eyes as well. Their talk moves smoothly to the second stanza about their ancestors to suggest a history and heritage of three generations, and this heritage becomes concrete in the last two miraculous lines. A reader may wish the poem could be longer with more details to flesh out the family time.

Besides writing about daily life and memory, Pariseau also turns his eye to ecowriting. “Thirteen Turtles: A Prose Meditation”—a short prose piece—conveys a strong ecological message. It intends to raise awareness of the potential negative consequence of the human killing of birds and animals and the destruction done to the earth. Further, Pariseau mentions yin yang in the Chinese cosmological symbolism, which means balance. People should realize that when the balance no longer exists on this earth, nature will turn to punish its destroyers—human beings.

Occasionally we hear a sentimental sigh. “Dream at Ocean Haven” sighs about the bygone youth: “O, when do those / pure colors of youths / begin acquiring / the solemn tints / of the grave?” but oftentimes we see impressionistic and delightful views in Along the Way with an expectation for an aftertaste.

You can find the book here: https://www.amazon.com/Along-Way-Scott-Pariseau/dp/1733791647

John (Jianqing) Zheng’s publications include A Way of Looking, Conversations with Dana Gioia, and African American Haiku: Cultural Visions. He is the editor of the Journal of Ethnic American Literature. His forthcoming poetry collection is titled The Dog Years of Reeducation from Madville Publishing.

Wherever I Look I am Never There by Allen Brafman

By g emil reutter

Allen Brafman is a poet of careful observation. His poems are quiet yet all have a strong undercurrent of passion of life and death. In the poem, Mirror, the poet reminds us how we carry with us all those who came before:

This is my father’s beard

His face has become mine

My grandfather

chuckles inside the parlor mirror

His hand comes forth

He is about to pinch our cheek.

A poet of deep reflection Brafman holds his memories close in what appears to be a simple poem yet is complex, the poem, This Morning:

I found our first kiss

forty some years, hundreds

and hundreds of times

remembered, lost

in the breast pocket of

a denim shirts, back

of the closet, shirt that

just about fits me again

On the surface it appears to be a memory of a first kiss, but it is much more. The poet writes of a love of forty years, a memory that comes to him often over the years only once again to surface when trying on a shirt from the back of his closet. A gentle and beautiful love poem.

The poet tells us in the poem, Birds Thick as Water, Each newly acquired loss/added/to all the losses/ lost and tallied before. He is a poet who writes of the reality of loss and what it means to those left behind such as this from the poem, Lost and Found:

I don’t want to

talk about people

I’ve spoken to on

the phone who

died before I

got there

This poem reflects the stark realism of life. It is not adorned in fanciful words, it is simply the truth, blocking out of their departure and our final destination.

Brafman treats us to a beautiful surreal poem, Butterfly’s Child with haunting, majestic imagery.

A yellow butterfly lifts a little

girl from the front yard

to a forest of marigolds burning

In a third-floor window box. Explosive

winds hurl the butterly off

course, put a cinder in the child’s

eye. The child falls back to the yard, free

of the butterfly, the rain that follows.

Fed by water, flame that can never

extinguish, she has become the daughter

of that butterfly, large black eyes

growing on yellow wing ferociously

she sometimes flutters

Brafman writes of a panhandler as a carnival barker in the poem, Playing the Odds. He tells us of a drunken escalator in the poem, Attacked from Within, and in the poem, Time is not Enough, he writes Lonely as a bar stool/in a crowded bar. There is nothing stale about this collection as Brafman fills his poems with fresh imagery. In the first stanza of Anna, he returns to stark realism of what we all know to be true on the subway:

That woman’s

talking to herself,

don’t let her

see you

looking at her,

she might

start talking to you.

Wherever I Look, I am Never There is a collection of poems that reflects life in realism, at times surreal. Of love, of loss, of the lonely, of family, of the will to go on. Brafman gives voice to those who live on the edges, of those departed in sometimes gentle and stark observations of a poet who loves life and those he encounters.

You can buy the book here: https://www.amazon.com/Wherever-Look-Am-Never-There/dp/173379168X

g emil reutter can be found here: https://gereutter.wordpress.com/about/

Beauty and the Unrequited Landscape by John Goode

beauty

By Lynette G. Espositio

John Goode’s Beauty and the Unrequited Landscape published by Rain Mountain Press is an image-laden delight of poems that visualize, conceptualize and realize perception from different but common landscapes.

Bill Yarrow, author of Blasphemer and The Vig of Love says “John Goode’s poems are—all things wild and wonderful.” The reader can see this clearly in his poem When My Father Took His Chainsaw into the Forest on page 30.

the television died.

Cartoons crawled across the carpet

and begged for more cereal.

The small angel of my life curled up

inside me.

The sun dragged a generator across the sky

and the grass turned brown.

The visual is so clear the reader wants to hug the narrator. The poem continues with this sharp visualization of the setting, tone and timbre to reality-based images that set time and place into emotion.

When my father took his chainsaw into the forest,

he cut the opossum

out of the encyclopedia

He turned comic books

into woodchips and stone.

This clear evaluation of a father by his young son depicted in the images chosen reveals a landscape of detail and emotion.

This continues on through the four parts of the 104 pages of poems followed by an interview with Goode where he discusses motivation and technique.

Goode continues to visualize and conceptualize his poems even in the titles from as simple as Unemployed to Elegy for a Tree in a Poem Written by a Young Woman Sitting at the Bar. His poems, like his titles, vary in length. Some are one stanza and some are several pages. I find this detail of form gives support to the themes. Most are free verse/blank verse in narrative form. In the five stanza poem The Riot of Waitresses, the first lines set a contemporary situation: The girls at work are giving birth to televisions without doctors. From page 87 to page 94, the narrator discusses the thwarted plans of women with their breasts trapped in their boyfriends’ hands like pigeons. Goode juxtaposes common images with an unorthodox landscape. Breasts, boyfriends, pigeons…I love it.

The reader begins through the visualization to realize something special is happening. Goode is able to make a point or points by choosing common understandings that expand out to fresh perceptions on how life works in suggestive images that conjure many interpretations.

The poems are consistently both interesting and surprising. In A Note From My Boss on page 95, Goode uses the letter format and uses the salutary Dear Jude to make a point.

The first line gives real sarcastic attitude please wipe up the Lysol carcasses. This memo to the boss ends with authority: Thank-you and no signature. How impersonal is this as a reference to real life workers and how effective in a poem. Thank-you, John….Yours Lynette.

Beauty and the Unrequited Landscape is available from www.rainmountainpress.com

Lynette G. Esposito has been an Adjunct Professor at Rowan University, Burlington County and Camden County Colleges. She has taught creative writing and conducted workshops in New Jersey and Pennsylvania. Mrs. Esposito holds a BA in English from the University of Illinois and an MA in Creative Writing and English Literature from Rutgers University. Her articles have appeared in the national publication, Teaching for Success; regionally in South Jersey Magazine, SJ Magazine. Delaware Valley Magazine, and her essays have appeared in Reader’s Digest and The Philadelphia Inquirer. Her poetry has appeared in US1, SRN Review, The Fox Chase Review and other literary magazines. She has critiqued poetry for local and regional writer’s conferences and served as a panelist and speaker at local and national writer’s conferences. She lives with her husband, Attilio, in Mount Laurel, NJ.

The Charnel House on Joyce Kilmer Avenue by Rob Cook

SRP.CH.cover

By g emil reutter

I have known for some time by reading the works of Rob Cook that spirits, visions may haunt him. Or maybe not. Just maybe Cook views life a bit differently than most. Unlike most, his imagination pours forth in imagery and character driven prose that has given birth to his latest effort, The Charnel House on Joyce Kilmer Avenue. It is a slim 44 page offering that at first will leave you with the feeling, what the hell is going on here? Yet as one reads on the creative genius that is Rob Cook spills out upon page after page.

He introduces us to the main character, a college student, the narrator, who enters his new residence with books buried in his knapsack, hears a phone ring the way it is supposed to, hears the television telling stories the way it is trusted to tell those stories and who sees a smile hurry across the ceiling. His roommates come and go and then there are none except for the dead children in the dining room that does not have a table or chairs. In fact, when he is left alone there is no furniture at all. The narrator is mostly surrounded by silence and loneliness, one roommate sits in silence and never speaks. There is the girlfriend who lives in another city yet is never seen or heard. A college professor of self-importance who has lost his chin and a stalker who no one would understand stalking the narrator. Struggling with acne the narrator battles with hard lump surrounded by blackheads, a zit with “monstrous potential”.

There is Carl the roommate with the big boots who clumps up and down the stairs. Who picks the clumps of the narrator’s hair from the shower drain and deposits them by his toothbrush. And then there is this:

The toilet, clear as it was, smelled like the insides of a poet who wasted his life listening for the soundless snowfall of the day’s mail drifting through the door’s one crack of hope.

When asked what he does, the narrator claims to be a failed musician, or a student for he believes if he says he is a poet as a grown man he will not be fondly looked upon. There is Lincoln on the five dollar bill, gaunt and frowning at the narrator before Lincoln turns away.

The last thing Carl says is: Good luck with those friends of yours. There are many in the home without furniture at The Charnel House on Joyce Kilmer Avenue.

You can find the book here: https://www.spdbooks.org/Products/9780998187273/the-charnel-house-on-joyce-kilmer-avenue.aspx

g emil reutter is a writer of poems and stories. He can be found at: https://gereutter.wordpress.com/about/

Weather by Kelly Cherry

weather

By g emil reutter

Cherry is a narrative poet in this slim collection of poems. Within its pages she captures turbulence, calm, defines the seasons. Cherry captures the wind in the poem, Birds on the Patio Feeders, No. 1:

The big wind scours the sky as if the sky is a giant kitchen sink/ Trees bend, hanging their heads, sorrowful/ Such drama. Yet we are captivated to see.

Yet the collection is just not about weather, it is about much more such as these lines from the poem, This Should be Winter, reflecting what the future may hold:

Thrity or forty years from now, we may be heading north in search of water, in search of air that can be breathed, in search of food that’s not been wrecked before it’s harvested.

Cherry captures the essence of a storm in both its quietness and violence in the poem, Rain:

It falls. Sometimes quietly, sometime loudly

as bullets hitting targets, or soldiers in war

A sprinkle doesn’t even seem like rain.

It does an almost silent dance, then stops.

demure as a virgin. The breaking thunderstorm

rails at everyone, but the daylong soak

that rescues trees, flowers, and failing farms

sings a song both simple and everlasting.

In the poem, The Start of Spring, she writes of the young in comparison to the old:

Spring is for the young, and the young/ put smiles on the old. Maybe rueful smiles. maybe sagacious smiles, maybe fond smiles/ as the old remember their checkered youth…The young are always foolish/ the old, always reminiscent.

She writes of a beach party and the aftermath in the poem, The Fourth of July:

…men and woman burn logs on a beach and hope to get lucky/ Sex is such a driving force, and then?/ Its not. It leaves us high and dry/ as if our bodies were nothing but old clothes/ hanging on a weathered, worn-out laundry line.

The poet writes of an elderly woman who keeps bits of the season in Autumn Leaves: The deaths of the living, even leaves/ sadden an elderly woman once a child/ dragging her feet through fallen leaves or pressing/ the pretty leaves into a scrapbook.

Cherry is a forecaster as she writes in the poem, Mayday:

It strikes terror in our hearts/ like a fire alarm…Is it the end of our world?/ Of course it is. Earth’s dying./ Our world is ill, regurgitating/ its insides.

Weather by Kelly Cherry is not for those who enjoy the disconnect. This collection of narrative poems connects with the reader through plain speaking combined with excellent imagery. Cherry writes of the seasons but also utilizes weather as a metaphor for lives lived and more directly the condition of the earth.

You can buy the book here: https://www.spdbooks.org/Products/9780998187204/weather.aspx

g emil reutter is a writer of stories and poems:

https://gereutter.wordpress.com/about/

Monte Carlo Days & Nights by Susan Tepper

SRP.MCD.cover.qxp

By Lynette G. Esposito

Monte Carlo Days & Nights by Susan Tepper is a book filled with delightful short and short short stories that both entertain and amuse.

Published in soft cover by Rain Mountain Press, the stories take the reader on journeys that encompass the contemporary experience. Of the twenty-two stories, my favorite is Adjacent toCentral Park. Tepper sets the situation of two lovers in an upscale hotel room and all is seemingly going well as the reader sees the scene from the female narrator’s point of view. Then—all is not going so well from the physical standpoint. How can one have sex at the Ritz Carlton in New York City and not be able to take a hot shower afterwards? The man at the front desk claims there is a water main break so there is no water at all in the hotel A freebie is offered for next time. For this time, our narrator and her companion send out for baby wipes just as if they were ordering pizza to be delivered. She claims she has used them successfully on a plane in flight. The language and circumstance of the characters is realistic and believable. While the situation is farcical, the depiction of modern life is serious.

My second favorite of the stories is Monte. It is simple, short, direct, and yet reveals the different ways men and women approach each other. This story is more of a vignette rather than the beginning, middle, end structure of a fictional short story. As a slice of life amidst the other stories, it works well in revealing two characters circling each other n a relationship. The suggestive images of the hotel, the swimsuit, the hunger work both literally and figuratively. Do women consider going topless…yes but no. The reader is in the female narrator’s head.

The final story in the book, Dinner, brings closure to the days and nights depicted throughout the sequence of encounters. Our narrator, wearing a red spandex dress and no pantyhose, looks so “hot” her lover proposes marriage if he were the marrying kind. How sweet, how ironic how no discussion of love or respect– just almost cold analysis with lust as the common denominator. Trepper has a light touch on a subject where so many others write a long agonizing soliloquy on the “he loves me, he loves me not” boy meets girl storyline.

The 74 page book is an easy read sharing a contemporized voice with modern perceptions and situations.

The author, Susan Tepper, has been a marketing manager, a flight attendant, an interior decorator, and an award-winning author. To find out more about her go to:

wwwsusantepper.com

You can find the book here: Monte Carlo Days Nights

The Conduit and other Visionary Tales of Morphing Whimsy by Richard Gessner

By g emil reutter

Welcome to the strange world of Richard Gessner where words and images matter. Gessner provides the reader with fresh images, use of words and stories that may or may not be about what they appear to be. Surreal? Maybe. Or they may just be reality in disguise.

The Zoo-Bray is located in the basement of a library. Those kept in the basement, (dark?), are writers of every kind. Parking-ticket scribblers face classical versifiers—Subpoena makers face street poets to produce spontaneous legal writs–… The forgotten face the immortal–. All of them are kept under the watchful eye of the zoo-breeder who wanders through the maze of hallways listening to the congress of burgeoning tete-a-tetes caught up in an infectious meld of snowballing ideas. He tells us at the center is an incubator where the pairs of the most promising writers chosen by the zoo-breeder are placed to mate and give birth. Gessner tells us the zoo-breeder decides what books make it to the upper shelves and what ones do not. Now the story could be viewed a surreal or a thinly masked critique of cookie cutter MFA programs.

Gessner gives us a wide ranging group of stories such as Excerpts From the Diary of a Neanderthal Dilettante. The Conduit a tale of a man stabbed in the heart seeking refuge in a pipe:

Moving down the windy concrete tunnel, listening for his arteries drain, he leaves a red carpet for the assailant’s knife. Millennial scorpion stinging itself drowning in cesspools of regeneration. Hug, wide, longer than all seeing memory. The pipe sparkles with light, twinkling with blood hitting the cold air. The strangeness of the travel of the man in the pipe with dance callers, ancestors, wedding rings looping, ego dust and random chaos. Weird images carefully crafted by a writer who has earned his chops.

He gives us hermits, a unicyclist, arbitrators, a man in a couch and so much more wrapped in unnatural situations. Gessner looks at the world through distorted glasses and yet as the reader moves through this work all comes into view. Such as in this flash fiction piece, The Pelican’s Tonsils:

A psychiatrist stands in the ocean, wearing his patient’s galoshes, waiting for barnacles to adhere to them.

His framed doctor’s degree has escaped from his office wall and taken up residence inside the pouch of a pelican sitting on a far off rock jutting from the ocean.

In the stark wetness of the pouch, the lettering from the degree wears off getting stuck to the pelican’s tonsils. When the pelican dives for fish its tonsils wiggle, rearranging the lettering from the doctors degree.

In order to restore his official identity and career, the psychiatrist affects a man of action stance, preparing to swim out into the ocean and give the pelican a tonsillectomy—but the barnacles clustering on his patient’s galoshes keep him anchored to the shore as he attempts to swim—the crustaceous ball and chain keeping him forever split!

Gessner is a master of imagery, metaphor, of the unnatural setting and has produced a fantastic collection of bizarre stories that are equally disturbing and fantastic.

You can find the book here: The Conduit and Other Tales of Visionary Morphing Whimsy

g emil reutter is a writer of poems and stories. You can find him here:About g emil reutter

Recently Received Books

Updated: 11/24/22 – Available

Poetry: Bone Country by Linda Nemec Foster- Cornerstone Press

Poetry: Beyond Repair by J.C. Todd – Able Muse Press

*Books no longer appearing on this list have been reviewed, were sent out for possible review. Those not picked up have been donated to little free library locations or local charitable thrift shops.