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By Lynette G. Esposito
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Rustin Larson’s poetry volume, Library Rain, has 50 pages of poems that vary in length, style and subject matter. Many of the poems have been previously published in a wide variety of literary journals and other publications. This volume has a good mix of Larson’s tightly focused and innovative images and literary skill.
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Larson, in his poem Man of The Future on pages four and five and first published in Saranac Review, focuses on a narrator who observes riders on a transit bus and gives them nicknames. One is named The Man of the Future and another is named Mrs. Rabbit. The two sit next to each other their thighs touching. Then, suddenly, they avoid each other. Larson ends this two-page seven stanza poem with:
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I’m no genius. I’ve made plenty
Of mistakes. If life gives you something,
You take it, and you don’t ask any questions,
And then when life takes it away
Again, then what? There is no elegant way
to put this. If we’ve lived this far,
We’ve become the future we once thought was distant.
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Life on the bus translates in figurative form, to a truth of gain and loss and time unexpectedly bringing the future to us too quickly. Larson’s choice of place, a bus that carries people back and forth to work, also encapsulates the repetitive rhythm of a pentameter keeping time even as it moves forward.
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John Peterson of Wapsipinicon Almanac says “Larson writes like an angel, but one who’s willing to work both sides of the street.” This can be seen in Larson’s poem Summer Vacation (The Iowa Source) on pages twenty-eight and twenty-nine. It is like many of Larson’s poems, a vignette in poetry. A young boy has his first sexual encounter with a girl and it is more fantasy than reality as others in the poem both congratulate and condemn the experience. The narrator of the poem presents the idea of someone who is there but not there as a reality check. The following lines suggest our involvement in our own life plot.
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The miracle is that we each live a story
That really isn’t about us at all.
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The narrator comments that this is the plotline for every thing .I find this is a little on the negative side but also I hear the ring of truth to it.
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Many of Larson’s poems have this double edge to them with the common settings and place suggesting much more. On page fifty, the poem, A Yet to Be Determined Painting, (Briar Cliff Review) has beautiful imagery but underneath the beauty, is broken machinery.
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Maple sees flickered down from the branches.
“We are replacements for butterflies,”
they said with their illusion of two wings.
They struck the boards of the deck
and then they just lay there broken machinery,
done, the pilot green, the current strong.
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These strong images encourage the reader to take a second look at nature and how it reflects on how one imagines life.
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The poems in this book are a pleasure to read and give the reader insight into the world around them. Larson’s complex inter mix of ideas and form work well throughout the book.
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You can find the book here: https://www.amazon.com/Library-Rain-Rustin-Larson/dp/0359733298
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Lynette G. Esposito has been an Adjunct Professor at Rowan University, Burlington County and Camden County Colleges. She has taught creative writing and conducted workshops in New Jersey and Pennsylvania. Mrs. Esposito holds a BA in English from the University of Illinois and an MA in Creative Writing and English Literature from Rutgers University.
From North of Oxford, this windy March issue blows us in two directions: backward into childhood, i.e., the past and upward into a distorted heavenly sky.
North of Oxford 