By Lynette G. Esposito
The soft cover volume of Darwin’s Mother by Sarah Rose Nordgren published by Pittsburg Press is a delight. It is so good, even the acknowledgements are interesting.
The book is divided into three sections: Origin of Species, Material, and A Moral Animal. I have favorites in each section. In the first section, my favorite is Mitochondrial Eve on page 9. The first two stanzas set up the poem and the last single line closes it.
The seven-stanza poem is both visual and logical. The structure is regular until the final stanza which stands alone as a single line: always with the door open. The reader is spoken to in direct address and then is presented with a picture of our original Eve as she puts everything together from the inside out while resting in nature and at the same time being part of nature.
In the second section, Material, my favorite is on pages 28 and 29 entitled Reservoir. The poem begins It is the nature of data,,,, The poem progresses to discuss
this dry subject in fresh and wonderful images of “things.” Norgren relates data to water and the gathering of it. In stanza three and four, she presents how this gathering works:
She uses the image of water as data through the rest of the poem discussing the uses of information and the broad expanse of it, and ends the poem in two lines: as they stare and say, My God how beautiful. One sees in the poem the digital blue lakes and not the dry numbers of information we observe in landlocked pages. The poem transforms informational data into a lovely useable waterscape.
In A Moral Animal, Nordgren presents poetry with subjects including The Kiss, Moral Animal, Achilles and Mary at the Museum and Simulation. My favorite in this section is
Movie Night on page 54. The title suggests this is a fun poem. If you think watching a horror movie on an Easter Sunday is fun, then add giving birth and trying to stuff the baby back in as a leisure activity and you have a rather twisted vision of what to in your spare time.
The one stanza poem ends with the lines:.
As in her other poems, Nordgren creates not only visuals, but contrasting perceptions in how reality can affect us and in this poem how an old horror movie affects our Sunday afternoons.
The book feels honest, simple and complex as it explores the exterior and interior of the author’s view of the human condition in a timeless exposure of how the past, present and future intermix.
The book is available from The University of Pittsburgh Press at www.upress,pitt.edu
Lynette G. Esposito has been an Adjunct Professor at Rowan University, Burlington County and Camden County Colleges. She has taught creative writing and conducted workshops in New Jersey and Pennsylvania. Mrs. Esposito holds a BA in English from the University of Illinois and an MA in Creative Writing and English Literature from Rutgers University. Her articles have appeared in the national publication, Teaching for Success; regionally in South Jersey Magazine, SJ Magazine. Delaware Valley Magazine, and her essays have appeared in Reader’s Digest and The Philadelphia Inquirer. Her poetry has appeared in US1, SRN Review, The Fox Chase Review and other literary magazines. She has critiqued poetry for local and regional writer’s conferences and served as a panelist and speaker at local and national writer’s conferences. She lives with her husband, Attilio, in Mount Laurel, NJ.