g emil reutter, Working Class Hussys and Brian St. John perform at Cafe Improv
g emil reutter, Working Class Hussys and Brian St. John perform at Cafe Improv
Thunder, Lightning and Urban Cowboys has just been released by Alien Buddha Press. The book is the final volume in a quadrilogy written over 13 years.
What others have said about Thunder, Lightning and Urban Cowboys:
In Thunder, Lightning, and Urban Cowboys, wilderness is never far from the urban setting, a wilderness in its own right. The Urban Cowboy is surrounded by nature: “…a tree of warped candelabra branches…”; “…a conspiracy of sooty ravens…”; “sound of leaves kissed by wind…” Nature pauses and waits for us to pass through in our moment of struggle and triumph and defeat. The machinery of the city: “…diesel engine revving and revving, as if a struggle to stay alive…” g. emil reutter takes us from youth when “unbridled hope leaked from our pores…” to the far end of life “… the waiting, the heaviness of what is to come…”
The poet paints a landscape haunted by the tragedies of others and the tragedies of ourselves. Haunted by the fallen gravestones “sinking into the earth…” Haunted by spirits lingering in the trees because “heaven and hell are full and purgatory is closed…” In this poetic juxta positioning of humanity and nature, the poet puts us in our place in an unkind, uncruel universe and leaves us somehow grateful.
Throughout, the poems are very well crafted, precise and insightful. reutter is most certainly an engaging poet, whether he is writing of train journeys, of love and friendship and loss, of nature, of time passing: each poem sustains a reflective beauty that refreshes like walking into a cold mountain spring: they permeate and linger with a rare clarity and a sense of humour that will ensnare and take you by surprise. The book takes you on a journey of wonderful variations and consistently offers imagery that transport the reader into the poem and this is something that is not easy to achieve. Thunder, Lightning and Urban Cowboys is stark evidence that reutter is a master craftsman of his art form: cool: crisp: clear: quality.
-John D Robinson
Poet and Publisher: (Holy&intoxicated Publications)
Diane Sahms narrative poem, May Day, has been published at Passager Pandemic Diaries. You can read the poem and others at this link: https://www.passagerbooks.com/pandemic-diaries/
- Exhibition Tour: Re-materialize by Arthur Ross Gallery
- The Principles of Hip Hop: Peace, Love, Unity, and Having Fun by Young Audiences Arts for Learning NJ & Eastern PA
- Cafe Improv 2019 by Diane Sahms
- Family Tree by Andorra
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Alien Buddha Press has just released g emil reutter’s poetry collection, Farmers, Queens, Trains and Clowns.
The collection is available on Amazon at this link:
What Others Say about Farmers, Queens, Trains and Clowns by g emil reutter
In g emil reutter’s Farmers, Queens, Trains, and Clowns we are treated to a panorama of a fractured Americana. The singer/seer/poet weaves the celebratory and the lament in his masterful “Philadelphia.” The ghost of a railway station is conjured along with the past majesty of derelict neighborhoods. Gut-wrenching abandonment abounds—turkey buzzards on rooftops, icy furnaces, vacant-eyed buildings, carp that float sideways next to legless frogs. Laced through the graffiti-scarred souls who wander these poems, the moon’s splendor shines as does the richness of family and the poet’s compassion. reutter blesses us with a raw poetry of savage beauty like his bees encased in a silken coffin. His acute powers of observation witness the spider’s captive brown butterfly as well as what is ensnared in the vibrating strands of a divided America. We are left with the haunting image of Orion frozen with his back to the earth as if an entire civilization has been discarded.
—-Stephanie Dickinson, author of The Emily Fables and Big-Headed Anna Imagines Herself
Red, white, and blue-collar—g emil reutter champions the past glory of America, finding triumph in his avid, dead-on descriptions. Suicide, cancer, abandoned tracks, those down-at-the-heels and down on their luck—these are the subjects this poet describes with boundless compassion, flawless cadence, and drum-tight metaphors. Here is a distinctive, authentic, and powerful voice. And beautiful. He makes rust sing.
-– Jeffrey Cyphers Wright, author of Party Everywhere
A reading from 2018
At The Northeast Times
At The Philadelphia Inquirer
What others say about The Handheld Mirror of the Mind:
Poetry of global dreaming. Life on earth is under threat and Diane Sahms-Guarnieri makes a poetic call for the survival of humans and all animal species, life on the endangered list. We are all connected and interdependent. Our past teaches us core lessons for the future. Now is the time to take action to preserve life on the global home we share. Diane’s poetry is a celebration of this life, inside and out.
—Martin Chipperfield, 34thParallel Magazine
Diane Sahms-Guarnieri is a stunning wordsmith. In her collection, The Handheld Mirror of the Mind, we journey through themes of loss, grief, our shared humanity, and the complexities of the inner life. With great tenderness and lyricism, Guarnieri skillfully navigates these topics. Her graceful descriptions of the natural world provide a vivid magic, as if painting with words. In one poem, Guarnieri refers to stars, “as pinprick diamonds mined out of/night’s cave—luminous studs/riveted through black velvet.” She deals with death and the expectation of loss with care, infusing the life of nature, as in the line, “Your dusty voice rising as spirit leaving mimosa.” There is also great comfort, as in the refrain of the poem, “As long as a heart is beating someone is always alive.” While dealing with human struggles, this collection offers hope. Guarnieri invites us to honor all beings, all creatures, and all understandings of faith by joining together, “as global dreamers in coexistence.”
—Cristina M. R. Norcross, Editor of Blue Heron Review; author of Amnesia and Awakenings and Still Life Stories, among others.
“What does a heart know anyway?” Diane Sahms-Guarnieri’s lucid and brave fourth full-length collection The Handheld Mirror of the Mind wrestles with this question, as love and loss pass as naturally as the seasons. Through elegy and aubade, the speaker turns her gaze inward, interrogating the darkness. However, as she sifts through memory’s wreckage, there are patches of light and hope, of song. As the speaker reconciles: “I carry their song inside my body,/inside rhapsody of thoughts….To them I sing this easy truth.”
—Emari DiGiorgio, author of Girl Torpedo and The Things a Body Might Become
The Handheld Mirror of the Mind:
Our contributing editors recently performed at Cafe Improv in Princeton, New Jersey. Here are the videos and we hope you enjoy.
Alien Buddha Press has just released, Stale Bread and Coffee, by contributing editor, g emil reutter. The book is available for purchase at this link:
“As always g emil reutter has the ability to pull us into his world where he conjures up images of late night streets, broken relationships, and men who are on the edge of life and lost in America’s backwaters.” – James D Quinton, (1977-2012), Open Wide Magazine
“The colloquial voice of g emil reutter rises from the valley, circles back through years of close observation with a steady eye. There’s nothing trumped up in these poems, nothing inflated into transcendence. Here life is as it is for the line worker, the waitress, the cop, the perp or the barroom guys. These are the common folk who live in the service alleys of any Camelot, sketched in a subdued cadence whose unadornment honors their lives and does not weary of seeing their glimmer through the tarnish.” – Poet J.C. Todd – What Space This Body